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PUBLICATIONS 

Book Publications:

 

Giuffre, L and Hayward, P (eds) (2017)  Music in Comedy Television: Notes on Laughs, London: Equinox

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Evans, M and Hayward, P (eds) (2017)  Sounds Funny: Music, Sound and Comedy Cinema, London: Equinox  

 

Donnelly, K and Hayward, P (eds) (2012) Music and Science Fiction Television: Tuned to the Future, New York: Taylor and Francis  

 

Hayward, P (ed) (2009) Terror Tracks: Music, Sound and Horror Cinema, London: Equinox  

 

Hayward, P (2006) Bounty Chords: Music, Culture and Cultural Heritage on Norfolk and Pitcairn Islands, Eastleigh (UK): John Libbey and Co  

 

Hayward, P (ed) (2004) Off The Planet: Music, Sound and Science Fiction Cinema, Sydney: John Libbey and Co/Perfect Beat Publications

 

Hayward, P (ed) (2003) Outback and Urban: Australian Country Music Volume One, Gympie: Australian Institute of Country Music (2003)  

 

Hayward, P (2002) Hearing The Call: Music and Social History on Lord Howe Island, Lord Howe island Arts Council  

 

Hayward, P (2001) Tide Lines: Music, Tourism and Cultural Transition in the Whitsunday Islands, Lismore: Music Archive for The Pacific Press  

 

Hayward P (ed) (1999) Widening The Horizon: Exoticism in Post-War Popular Music, Sydney: John Libbey & Co./Perfect Beat Publications

 

Hayward, P (1998) Music at the Borders - Not Drowning, Waving and their engagement with Papua New Guinean music 1986-96, Sydney: John Libbey & Co.

 

Hayward, P (ed) (1998) Sound Alliances - Indigenous Peoples, Cultural Politics and Popular Music in the Pacific, London and New York: Cassell  

 

Coyle, R and Hayward, P (1995) Apparition: Holographic Art in Australia, Sydney: Power Publications  

 

Hayward, P and Wollen, T (eds) (1993) Future Visions: New Technologies of the Screen, London: British Film Institute Press  

 

Hayward, P (ed) (1992) From Pop, to Punk, to Postmodernism - Australian Popular Music and Culture From the 1960s to the 1990s, Sydney: Allen and Unwin 

 

Hayward, P (ed) (1991) Culture Technology and Creativity - in the Late Twentieth Century, London: John Libbey Press/Arts Council of Great Britain

 

 

Principal Articles in Refereed Academic Journals

 

Hayward, P and Hill, M (2017)  ‘Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk On Gilded Splinters’, Journal of World Popular Music pp262-286

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Hayward, P and Hill, M (2017) ‘The Scent of Success: Image-Sound Relations and Audio-logo-visuality in Baz Luhrmann’s two promotional films for Chanel No.5 perfume’, Screen Sound n5 pp36-50

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Hayward, P and Hill, M (2016) 'Chart Mythos: The JAMs' and The KLF's Invocation of Mu',' Shima v10 n2  pp51-67

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Hayward, P (2015) ‘Sounding the Aquapelago: The cultural-environmental context of ni-Vanuatu women’s liquid percussion performance’, Perfect Beat – The Pacific Journal of Research into Contemporary Music and Popular Culture  v15 n2 pp113-127

 

Fitzgerald, J and Hayward, P (2015) ‘Mountain Airs, Mockingjays and Modernity: Songs and their significance in The Hunger Games franchise’, Science Fiction Film and Television v8n1: pp 5-89

 

Hayward, P and Tran, Giang (2014)  'At The Edge: Heritage and Tourism Development in Vietnam's Con Dao archipelago', Journal of Marine and Island Cultures v3 n2 pp113-124
 

Coyle, R and Hayward, P (2014) ‘Location, Location, Location: Music, Place and Eco-Criticism in the National Parks Film Project’, Cinephile: The University of British Columbia’s Film Journal v10 n1 pp 21-27

 

Hayward, P and Kuwahara, S (2014) ‘Takarajima: A Treasured Island - Exogeneity, Folkloric Identity and Local Branding’, Journal of Marine and Island Cultures v3 n1  pp20-30

 

Hayward, P and Long, D (2013) ‘Language, Music and Cultural Consolidation on Minami Daito’, Perfect Beat – The Pacific Journal of Research into Contemporary Music and Popular Culture pp7-32

 

Hayward, P and Kuwahara, S (2013) ‘Divergent Trajectories: Environment, heritage and tourism in Tanegashima, Mageshima and Yakushima’, Journal of Marine and Island Cultures n3 pp29-38

 

Hayward, P (2013) ‘Merlionicity: The twenty first century elaboration of a Singaporean symbol’, Journal of Marine and Island Cultures n2 pp113-125

 

Fitzgerald, J and Hayward P (2012) ‘The Sound of an Upside-Down World: Jerry Goldsmith’s landmark score for Planet of the Apes (1968)’, Music and The Moving Image v5 n1  pp32-43

 

Hayward, P '(2013) Island Leverage: Vanessa Quai, Vanuatu and Transnational Career Performance', Popular Music and Society  pp162-174

 

Coyle, R, Fitzgerald, J and Hayward, P (2013) 'Subtle Idiosyncrasy: Sound and Music in the Australian animated short film The Lost Thing (2010)’, Screen Sound Journal n4  pp 44-57

 

Hayward, P (2013) ‘Integrated and Intersected: Kylie Minogue, Baz Luhrmann and the use of popular song material in Moulin Rouge!’, Screen Sound Journal n4   pp31-43

 

Brennan, D, Fitzgerald, J and Hayward, P (2012) ‘Planes of Illusion: Music Soundtrack, Rendition and Attribution in Sanctum’, Perfect Beat – The Pacific Journal of Research into Contemporary Music and Popular Culture pp111-126

 

Hayward, P (2012) ‘All Mashed Up? Songs, music and allusionism in The Loved Ones’, Screen Sound Journal n3 pp35-49

 

Hayward, P (2011) ‘Salmon Aquaculture and Cultural Disruption in Chiloe', Locale: The Australasia-Pacific Journal of Regional Food Studies n1  pp87-110 

 

Hayward, P and Li, J.F (2011) 'Asymmetric Appeal: Cultural Heritage, Sexual Allure and Polychromatic Exoticism on contemporary Hainan Island’, Perfect Beat - The Pacific Journal of Research into Contemporary Music and Popular Culture v10 n2  pp119-140 

 

Hayward, P and Lewandowski, N (2010) ‘Sounds of the Silent Star’, Science Fiction Film and Television v3n3 pp183-200

 

Hayward, P (2009) ‘Whimsical Complexity’, Animation Journal v17  pp36-51  

 

Hayward, P (2009) ‘Local Interpretation: Music Video, Heritage and Community in Contemporary Vanuatu’, Perfect Beat v9 n2 January pp 59-79 

 

Hayward, P (2009) ‘Jynweythek Ylow Kernow: The Significance of Cornish Techno Music’, Cornish Studies n17 pp173-186  

 

Hayward, P (2008) ‘Les Méduses dans la Marée de l'Histoire: L’Anse aux Meadows, Nan Sdins and Cultural Heritage Agendas’, Island Studies Journal v3 n2 pp161-172  

 

Hayward, P and Kuwahara, S (2008) ‘Transcience and Durability: Music Industry Initiatives, Shima Uta and the maintenance of Amami Culture’, Perfect Beat – The Pacific Journal of Research into Contemporary Music and Popular Culture v8n4 January  pp44-63  

 

Hayward, P (2006) ‘From The Top: Local Difference and issues of Heritage Identity in the formulation of music policy for Darwin’, Perfect Beat – The Pacific Journal of Research into Contemporary Music and Popular Culture v8n4 July pp50-68  

 

Hayward, P and Konishi, J (2001) ‘Mokuyo-to no ongaku: The music of the Japanese community in the Torres Strait 1884-1941’, Perfect Beat – The Pacific Journal of Research into Contemporary Music and Popular Culture v5 n3 July pp34-47  

 

Hayward, P (2000) 'Cultural Tectonics', Convergence - The Journal of Research Into New Cultural Technologies v6 n1 Spring pp39-47  

 

Hayward, P and Crowdy, D '(1999) 'From The Ashes - The Revival of the Music Recording Industry in East New Britain following the 1994 Volcanic Eruptions', Convergence - The Journal of Research Into New Cultural Technologies v5 n3 Autumn pp54-67  

 

Hayward, P (1999) 'Interplanetary Sound Clash - Music, Technology and Territorialisation in Mars Attacks', Convergence - The Journal of Research Into New Cultural Technologies v3 n1 Spring pp46-58  

 

Hayward, P (1997) 'Danger Retro-Affectivity! - The Cultural Career of the Theremin', Convergence - The Journal of Research Into New Cultural Technologies, v3 n4 Winter pp28-53 

 

 

Journal Publications
Academic Publications 

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